poola
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archimaps:

Capital designs for Garnier’s Opera House, Paris
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ghostco:

Some of you may have seen a bit of this when I posted about it on my Instagram between pictures of my trials and errors or reteaching myself to cook after 6 years without a stove or oven. This was a concept for a client that ultimately got rejected. And while I am a little bummed out that I don’t get to finish this (on a professional level at least), I certainly don’t blame them for rejecting it. It was one of those cases where I got a little ahead of myself and started stacking concept on top of concept until finally the outcome was so abstracted from the original idea that it was unintelligible. But hey, it happens. And at least I got to draw hands and robots and moths. 
I should also point out that these are by no means the final colors. They were just there to help show the client the separations and transparencies and see how they played off of each other. And while honestly I kind of like it the way it is, I hope I get some time in the near future to wrap this up with a little more finesse than what we have here.
EDIT | It was pointed out to me by a friend how similar this illustration is to one that Paul Pope did for DKNY. Which is actually pretty funny and coincidental, considering I have had Pope on the brain of recent since I mentioned him in the post with the Batman drawing and in anticipation of One Trick Rip-Off: Deep Cuts being released. It is bizarre what sort of imagery your brain will store away into your subconscious for safe keeping. 
 
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